There are 74 onstage deaths in the works of William Shakespeare – 75 if you count the black ill-favoured fly killed in Titus Andronicus.

They range from the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra; from Pyramus and Thisbe to young Macduff. There are countless stabbings, plenty of severed heads, some poisonings, two mobbings and a smothering. Enorbarbus just sits in a ditch and dies from grief. And then there’s the pie that Titus serves the Queen of the Goths.

Spymonkey will perform them all – sometimes lingeringly, sometimes messily, sometimes movingly, sometimes musically, always hysterically. The four ‘seriously, outrageously, cleverly funny clowns’ (Time Magazine) will scale the peaks of sublime poetry, and plumb the depths of darkest depravity. It may even be the death of them.

Directed by Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb) and designed by Spymonkey regular Lucy Bradridge, THE COMPLETE DEATHS opened in May 2016 at Brighton Festival to acclaim from audiences and critics alike, and has been delighting audiences around the world since then – a solemn, sombre, life-affirming and sublimely funny tribute to Shakespeare and death.

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★★★★ “A fabulous bloodbath” The Observer

★★★★★ “The funniest show about slaughter you’ll ever see” Exeunt

“Extraordinary. Brilliant virtuoso physical comedy. Dark and disturbing. Hilarious” BBC Radio 4 Saturday Review

★★★★ “Inspired pairing of Spymonkey and Tim Crouch” The Stage

★★★★ “The Four Horsemen of the Ridiculypse” Libby Purves TheatreCat.com

★★★★ “Maestros – Daft, ingenious and ultimately deeply thoughtful” Financial Times